Immersed in a Culture of Train Travel

Train Travel, Italywise

Split Screen – © 2018 Jed Smith

I love trains and train travel.

Ever since I received my first Lionel train set for Christmas at age four, I’ve been hooked. But, the view I had of trains was pretty much all about hauling freight––not people. Fast-forward sixteen years to when I studied art in Italy for the summer, and I looked at trains with fresh eyes. I fell in love all over again. This is so cool, I thought. A country and a continent whose transportation arteries of the railroad network rivaled, and often surpassed, that of the highway system. People have real travel options.

When I returned home after my Italian summer,

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A Tribute to the Working Man in Venice

working man, Italywise

Intensity – © 2107 Jed Smith

I love so many things about Venice. The city is a constantly unfolding visual feast. It’s a city that never stops giving even though she will never reveal all of her mysteries. Most visitors are dazzled by the sites in this magnificent city. I’m enthralled with the grout of Venice, the working man. Put another way, the working man is the connective tissue that keeps this city afloat and functioning.

The working woman, too, is part of the grout of Venice.  To give her equal tribute, I am working on a separate photo essay (stay tuned).

The working man in Venice is always battling the elements.

Venice is forever shifting and settling. Perfect right angles and straight lines are an impossibility. Imagine keeping a city going that exchanges boats far cars and trucks. Imagine dealing with the corrosive and rotting effects of so much moisture. Imagine coping with the acqua alta, the high waters. And then there is doing one’s job while dodging throngs of tourists. The working man in Venice must cope with it all.

These seven images capture only a snippet of the life of the working man.

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Integrating Shadow and Light

Shadow, Italywise

The Unity of Shadow and Light © 2017 Jed Smith

I am continually amazed at how art is my most powerful teacher, cleverly bypassing my bossy thinking mind and presenting me with important “aha” moments. This week, my art reached out and spoke to me about the importance of embracing my shadow. Sound ominous? Read on.

This morning, as I sat down to write, I had absolutely no idea what to write about.

Often times I have topics and ideas queueing up for attention. Not so today. It was another one of those “Crap, my creative tank is empty” moments when my orderly and linear right brain seeks to convince me I have to hunker down and mentally muscle my way through meeting a self-imposed deadline. Thankfully, I believe that big, fat lie less and less. So, I went to my photography vaults and started cruising through images to see if something would speak to me. You know, like going fishing and seeing if anything will bite. Today I got more than a nibble.

Quit running from your shadow

That’s what this photo said to me.

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Italian Faces in the Saturday Market

 

Italian Faces

Fragole – © 2017 Jed Smith

The big Saturday markets will never cease to be a goldmine of opportunity for capturing the wealth of Italian faces

Recently, when visiting my dear friends Novelia and Peppe in Sulmona for the Easter festivities, I discovered the huge Saturday market held in the piazza. I had wandered out of my B&B (close by) with my camera to see if anything might catch my attention. Suffice it to say, I was snapping away almost immediately.

Italian Faces

Sisters – © 2017 Jed Smith

Italian markets are no laid-back affair

Wow, there’s serious life going on. The interactions. The commerce. The smiles.

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Meet Le Vecchie Guardie – The Old Guard

The Old Guard

Camaraderie. © 2017 Jed Smith

I love these faces. I love surreptitiously watching their interactions, and their steadfast camaraderie. The Old Guard, fondly referred to as “Le vecchie guardie” in Italy, is an integral thread, found woven everywhere in the fabric of Italian culture.

Watching The Old Guard can’t help but make you smile

At least that’s my reaction. If only I could eavesdrop on their conversations to round out the picture. Or, maybe it’s just as well (and more fun) to use my imagination, and focus on capturing the moments

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Early Morning Life Along the Grand Canal

Grand Canal, Venice

Morning Preparations- © 2017 Jed Smith

Be an early riser to witness a workman’s life along Venice’s Grand Canal

A self-imposed photo assignment, earlier this year, took me to Venice, and required I be up at the crack of dawn. Timing was essential to capture the energy of Venice’s main artery coming to life while not being obscured by massive swarms of tourists. Believe me, as much as I wanted to sleep yet another hour, capturing the morning light, and the workmen starting their day, was well worth it. Imagine the main thoroughfare in your city

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Oh, What Stories Italian Faces Tell

Italian Faces, Italywise

“Immersed” – ©2017 Jed Smith

I love Italian faces. I could spend the rest of my life just working on capturing them in my photography and in my paintings. In this post I share with you four recent images that focus on the weathered faces of seasoned Italian gentlemen.

Italian faces don’t hide or mask one’s disposition

I know this sounds like a gross generality. But, I think overwhelming this is true compared to faces in many other cultures. At the risk of playing into the trite depictions of Italians in Hollywood, Italians are passionate, and they don’t put the reins on letting their emotions be seen. You see it in the animation

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Layers of Solitude

 

photography, Italywise

Layers of Solitude – Jed Smith © 2017

I’m enamored with the emotion and scenes of solitude. When my mother, who was also my life-long art teacher, began exposing me to the bountiful world of artistic expression, I found myself drawn to the likes of Edgard Degas and Edward Hopper, and their depictions of people steeped in solitude. Think The Absinthe Drinker by Degas, and Nighthawks by Hopper.

I love solitude.

Yes, at my core, I am an introvert. A psychological test I took years ago confirmed this. BUT, it also confirmed that I was just left of center on the scale. This means I also have important extroversion needs. Yes, I love being with friends, family and small groups of people. It feeds my soul. As for the introvert part, I now recognize having the balance of significant alone time is crucial to my overall sense of well being. I think of it as important time to pause, reflect, and process all that I’ve taken in when I’m with other people.

Perhaps, by sharing this photo, I’m also taking you behind the curtain and helping you to understand what makes this artist tick. Maybe I’m also sharing this to prompt you to ask similar questions about

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It’s Simply a Matter of Perspective

Wrought-iron railings adorn the bridges of Venice and provide unique views of the canals.

Wrought-iron railings adorn the bridges of Venice and provide unique views of the canals.

I’m in heaven when I’m meandering through the confusing and mysterious streets, alleyways, and canals in Venice. I can’t imagine ever tiring of the discoveries every one of my journeys there yields – especially when I change my perspective. The world transforms.

Early on in life, when I was a mere teenager beginning to plumb the depths of creative possibilities, my dear artist mother began teaching me about the power of perspective. With me, and with her other students I always marveled out how she could coax, so adeptly, a person from a rigid way of seeing things to a different perspective. Suddenly the world would take on new life. And, well before a camera became my regular companion, Momma Liz taught me how to use my hands to create a makeshift viewfinder. I’m fortunate this was part of my early training, because it has stayed with me ever since.

I’ve chosen the photo above because, for me it demonstrates a completely different vantage point – one that came about by moving from my usual perspective and being willing to reposition myself. Often times this means getting out of my comfort zone – literally and figuratively.

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What Are Your Intentions for the Journey?

Abruzzo, Italywise

Photo by Jed Smith ©2016

I’ve been staring at a blank page (for this week’s post), and a blank canvas (for my next painting). Both are usually intimidating, and I still can’t quite get over asking myself “Do I have it in me to do this again?”

I certainly hope so. But, as I start any new creative endeavor, I’m learning to ask myself a very important, and helpful, question: “What are your intentions?” And, even though this post is written with an artist’s perspective, I do believe this question can be a valuable tool in all areas of life.

I picked the featured photo in this post because, for me, it aptly represents moving through life with intention and purpose. When I’m cruising into my nineties (yes, I plan on living that long) I want to be able to look back on my life, and say that I didn’t shrink from heading into the metaphorical mountainous terrain of life and the wilderness of the unknown.

I also want to know that I didn’t move through my life unconsciously. I want to have lived life with passion and intention.

So here I am, solidly past my half-century mark, and challenging myself to spend more time checking in with my heart (not my head) to understand if my intentions will result in a life of authenticity.

Some of the questions I pose to myself are:

Am I doing this for love?

This one’s the mother of all questions. You know why? Because I think many of us are taught to feel a tad (or a lot) guilty when we’re able to do something for the pure love of it. Which leads me to the next question….

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