My favorite museum is the National Portrait Gallery in London. You see, for years I’ve had a love affair with faces. Take me to an exhibition full of portraits and you’ll have a hard time getting me to leave.
For me, the older the faces, the better. Smooth, youthful faces also have stories to tell, but my fascination and artistic focus remain with faces etched with lines that more readily communicate the subjects’ histories and personalities. And, on a personal note, I don’t want to march through my later years trying to ward off the evidence of the life I’ve lived.
I completed this watercolor in 1998, and I met its subject on the Island of Naxos in Greece. “She” reminds me to value the wisdom and journey of getting older. Here in Italy, I see a goldmine of fascinating, rich, older faces. I think I have enough material to last me multiple lifetimes of painting.
Maybe it’s a mistaken assumption, but in the Italian culture, the older generation seems to reside more closely alongside the younger generations – at least more than what I experienced in the U.S. Older people are respected, and not hidden away, and finding four generations in one household isn’t an uncommon occurrence. Constantly I’m amazed at how many older people I see (well into their eighties and nineties) still out and about. It’s almost as though the daily stroll, and continuing to commune with friends, are non-negotiables.
When I paint faces, such as the one above, I feel as though I have a responsibility to capture and honor the essence of the individual. At times, it’s intimidating. I can only hope each person who sees my work also experiences some of what I have felt when I have met my subjects.
Ultimately, I believe my love affair with faces is a manifestation of my search for truth. Words can be so easily manipulated, but I believe faces never lie.
If you like this painting, be sure to check out my online gallery which features many other portraits.